Amalia von Königsmarck holds her paintbrushes, and a portrait of Queen Ulrika Eleonora the Elder. Königsmarck was the first Swedish woman to produce a portrait of herself as an artist. Here she also demonstrates her ability to paint an allegory. Creating images with symbolic meaning was considered the foremost task of an artist. To the left is Fama, the goddess of rumour, ready to trumpet the glory of the queen and the artist.
Amalia “Emilie” Wilhelmina Königsmarck (1663–1740) was a member of a German-Swedish noble family. She was known as an amateur painter, actor, and poet. This painting depicts four female figures: the right figure with a handful of brushes is probably Amalia von Königsmarck herself. She presents a profile portrait of Ulrika Eleonora of Denmark, the Queen consort of Sweden. The female figure wearing a laurel wreath, pointing to the royal portrait is Amalia’s sister Aurora. Behind her, Fama the goddess of rumor and reputation is surveying the scene.
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寓言:自画像与乌尔丽卡·埃利诺拉女王成年侧身像Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder Amalia von Königsmarck油画作品欣赏

寓言:自画像与乌尔丽卡·埃利诺拉女王成年侧身像Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder细节图欣赏:
乌尔丽卡·埃利诺拉女王画像细节图

画家阿玛莉亚·艾米莉细节图

阿玛莉亚的妹妹和传说女神法玛细节图

四位女性人物细节图


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