Around 1820 the poet Adam Oehlenschläger (1779-1850) wrote his tribute to Denmark, Der er et yndigt land, which only a few decades later became the lyrics of Denmark’s national anthem. The last stanzas in the song pay homage to the beech as a symbol of the nation.
The sunlit Danish beech forest as preffered motif
During the same period, P.C. Skovgaard’s preferred motif was the sunlit Danish beech forest. He was influenced by a programme within the art scene where painting was singled out as the media chosen to communicate a new national selfawareness.
However, the beech idyll in this picture is also about things closer to home, as it were. The children in the scene belong to the same family as the person who commissioned the work, the scene is set at a manor house on Southern Zealand, and the fresh and delicate green of the beech forest reflects the rich promises of childhood, of first beginnings.
The painting's composition
Such an image leaves little place for the children’s grandfather, who has quite literally been pushed into the background. In the foreground the artist minutely presents the flora found in beech forest floors, the national biotope - and the central element of the picture is the young descendent of the manor, wearing a red-white dress as a colouristic accent against all the greens.
百度翻译:http://fanyi.baidu.com
五月,在西兰岛伊斯林根庄园附近的山毛榉A Beech Wood in May near Iselingen Manor, Zealand P. C. Skovgaard油画作品欣赏

五月,在西兰岛伊斯林根庄园附近的山毛榉A Beech Wood in May near Iselingen Manor, Zealand细节图欣赏:
坐在草地玩耍的孩童细节图

右下角植物和远处的祖父细节图

几可乱真的山毛榉细节图

高处的山毛榉和飞鸟、天空细节图


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